Too much emotions going on!
On the very next make money google advertising track, "Segue in C this is a perfect test for soundstaging.
Over the years, Len has refined that cartridge design to the way it appears in today's form.On this hot afternoon in St Louis, the thermometer is going to hit the century mark with no less than 70 percent humidity.You won't see me handing out many 5's.Both are marvelous carts with their own strengths and weaknesses.In short, he's my kinda guy.Starting with the very nice sounding citroen olijfolie maken yet very affordable Dynavector 20XH, the first thing that I noticed was the MM-III's presentation of bass.Yes, it does make wonderful music.The bass digs extremely deep and is very tuneful.Well, I think I've described the sound of the MM-III pretty well but those of you that yearn for even more info, let me give you some direct comparisons to a couple of carts I have in hand.
The microdynamics were slightly better and there was a bit more leading edge to the notes.Though the DV20XH would seem to be at the lower end of the list, it is still a very good sounding cartridge that is ultimately affordable.After all, isn't that what we are in this hobby for.Len started out his cartridge life repairing cartridges as a franchisee with the now deceased Garrott Brothers out of Australia.Though the Music Maker III (henceforth the MM-III) resembles today's Grado Gold, they couldn't be more different.My usual cartridges are either the low output Van den Hul modified Spectral MCR Signature or a Dynavector 20-XH high output.Title, composer, performers, record.The music simply flowed from my speakers, never sounding constrained much less forced.
The MM-III really shows how well suited it is for heavy rock and techo music.
In real life, if you get.6 grams plus or (hopefully) minus a few hundredths, the world won't come to an end so don't sweat it too much.